Big-picture edits—plot fixes, pacing issues, character arcs—get most of the attention in writing advice. But every powerful story depends on the quiet, disciplined art of the sentence.
Your sentences are the pulse of your story. They carry tone, rhythm, and emotional truth. Learning to edit them is more than polishing; it’s an act of intention. Each revision is a small test of clarity, honesty, and voice.
Here are eight editing practices to refine your prose and elevate both your craft and confidence.
1. Make Syntax Work for You
Syntax gives your sentence its emotional weight—the way you order words determines what the reader feels first and what lingers last.
Compare:
“My dog bit my sister.”
“My sister bit my dog.”
The change in sequence changes the entire reality of the line.
Now look at this:
“Rachel saw the fight as she was looking out the window.”
It ends on a quiet image (“the window”) rather than the pulse of the sentence (“the fight”).
Revised:
“As she looked out the window, Rachel saw the fight.”
The tension now lands exactly where it should. Treat every sentence like a story in miniature—each one builds, peaks, and releases.
2. Adjust Proportion Like a Conductor
Knowing when to linger and when to move is the essence of pacing. Not every moment deserves a paragraph. Some deserve only a line.
Ask yourself:
Does this moment hold emotional or thematic weight?
Will adding detail deepen meaning or slow momentum?
Is the story better served by expansion or restraint?
Editing proportion is spiritual discipline in disguise—it’s learning when to let go, when to breathe, and when to stay still.
3. Cut the Chains of Prepositional Phrases
Prepositional phrases—“under the table,” “beside the window,” “in the corner of the kitchen”—are useful until they aren’t.
“The cat slept under the table, beside the window, in the corner of the kitchen.”
That’s a sentence trying too hard. Clean it up:
“The cat slept beneath the kitchen table.”
It’s tighter, stronger, and less cluttered. Clarity is a form of kindness—to your reader and to yourself.
4. Find the Right Tempo for Dialogue
Story beats—the little actions woven between lines of dialogue—can ground a scene, but too many break its rhythm.
Too many beats: “She folded her napkin, checked her watch, adjusted her chair, then said—”
Trim to what deepens tone or emotion. A single gesture can say more than a paragraph of motion. Dialogue breathes best when it alternates between silence and impact.
5. Use Specificity with Intention
Specificity turns generalities into truth.
Weak:
“She picked up something heavy and hit Saurin in the face.”
Vivid:
“She snatched a tire iron and smashed it against Saurin’s jaw.”
But beware of writing every object into existence. If the detail doesn’t serve the emotion or conflict, it’s noise. Meaning lives not in quantity, but precision.
6. See Repetition as Music, Not Mistake
Repetition gives a sentence rhythm and gravity. It’s not a flaw when done with purpose; it’s a heartbeat.
D.H. Lawrence used intentional repetition to deepen meaning, turning language into song. You can do the same.
Repeat what matters—emotion, truth, or key images—and the echo will make your voice unforgettable.
7. Remove Redundant Body Language
Eliminate phrases like:
“She nodded her head.”
“He shrugged his shoulders.”
“She whispered quietly.”
Readers know what body parts do what. Overexplaining dulls momentum. Crisp verbs show more respect to your sentence and your reader’s imagination.
Every word you cut makes the next one stronger.
8. Live by the Philosophy of Cutting
The final and hardest truth of editing: some lines don’t need polishing—they need pruning.
“You can’t polish sandstone,” one mentor said. Meaning: don’t overwork what doesn’t belong.
Delete the lines that drag, the scenes that repeat, the transitions that explain instead of reveal. The white space you create will give your story room to breathe.
Editing is an act of faith that what’s meant to remain will shine brighter when the rest is gone.
Final Reflection
Sentence-level editing is more than refinement—it’s renewal. It’s how you strip away everything false until your voice sounds like you again.
Remember, writing isn’t about saying more. It’s about saying what matters.
And when you do that, one clean, powerful sentence at a time, your story begins to hum.